Internazionale | Amore che vieni

Internazionale

amore che vieni

                                        BEHIND THE SCENE

The Internazionale team invited me to create a series of images to accompany texts by Lorraine de Foucher.

MY IDEA

The theme was love relationships, and more specifically, their difficult sides.
I chose to focus on the idea of incommunicability, which I find to be the most painful aspect of such relationships: even when people are close, a certain distance remains.

The series was published exclusively online on Internazionale’s website — here is the link.

Below are some drafts, the final images, and the page layout.

The T-shirt presented at the Internazionale Festival featuring one of my illustrations.

Mothers of Lineage #01

The Matriarchs

Mothers of Lineage #01

Ongoing project

My first true Matriarch was inspired by the exhibition at the Grand Palais in Paris dedicated to Niki de Saint Phalle—one of my greatest masters.

It was both a creative tribute and a way to tell De Saint Phalle’s story through images. This one appeared among the pages of La Lettura, in newspaper the Corriere della Sera’s Sunday supplement, and it was shown in the exhibition “Graphic Novels” at the Triennale Milano, in 2015.

The project has expanded in other directions and it is still in progress.

The Feminine has always been a central theme in my personal research—in many directions that are slowly taking shape.

In my inner world, the Matriarchs are the Mothers, the beginning of our lineage.

They are the Great Mothers.
They embody something powerful within the Feminine: they are archetypes and metaphors of something vast that belongs to all of us.
This is the beginning of the story behind this project.

The other Matriarchs you see here came to life shortly after the first. They are inspired by her and are part of the same lineage.

ForumPhilo | To hope despite everything

To hope despite everything

Forum Philo 2026

                                        BEHIND THE SCENE

Le Monde AD and the team of the Association Forum Philo Le Mans, invited me to work for the Philo Forum 2026 which took place in Le Mans from January 30 to 31 and February 1.

The theme of the Festival was:

To hope despite everything.

MY IDEA

I explored several ideas around this theme, and the one chosen was the most joyful and playful: a sun in the protagonist’s chest, gazing at a magical and wonderful world.

The world he imagines and carries in his heart seems to emerge from within him, unfolding among an incredible array of clouds.

 

I then brought the image to life in color. Naturally, the sun in the man’s chest shares the same colors as the clouds. A white dove soars over the landscape, while houses and a rainbow frame an almost domestic scene, calm and peaceful. I created three versions with lighter and darker backgrounds. 

The one shown below is the selected version, with the other three variations displayed beneath.

These are the sketches I proposed. Each, in my view, conveyed the idea of Hope

I believe the committee chose a subject that viewers could relate to, featuring a human figure in the foreground.

Cook Festival | Live Drawing at Le Cavallerizze, Milan

Live Drawing

Cook festival

 

On October 24 and 26, I had the pleasure of participating in CookFest, the Corriere della Sera’s culinary festival, with my live drawing sessions, during two evenings introduced by Angela Frenda and Alessandra Dal Monte.


Drawing live, I translated words into images while listening to Liliana Rampello and Walter Siti reflecting on Jane Austen’s and Marcel Proust’s writings on food.

As the drawings unfolded, guests tasted dishes prepared by chef Antonia Klugmann on the first evening and chef Ugo Alciati on the second, in the historic Cavallerizze space at the Museo Nazionale Scienza e Tecnologia in Milan.

Courrier International | Facing Industrial Winds

Facing Industrial Winds

Internazionale

Beneath a gentle appearance, Ellinor Guttorm Utsi, spokesperson for the Sámi village of Corgas on the Nordkinn Peninsula, hides an unwavering determination. This 60-year-old Sámi refuses to sacrifice ancestral traditions in the name of the climate transition.

Reindeer herding is central to Sámi life, but in 2023 the Norwegian government decided to erect eleven wind farms on these Arctic territories, partly to supply electricity to the liquefied natural gas plant on Melkøya Island.

Our right to carry out our activities is at stake,” she explained to Nettavisen, noting that turbine movement and noise disrupt the reindeer, essential to Sámi identity and family income. Authorities suggested reducing lynx and wolverine populations to protect the herds, but she insists this will never justify wind energy development.

As published in Courrier International.

First published in Internazionale.

 

Le Monde | The Pau Experiment

Le Monde

The Pau Experiment

In Pau, employees test autonomous work – Home care workers at the AID64 association experiment with greater responsibility.

The association AID64, based in Pau, has introduced a self-managed team model, granting greater autonomy to its 56 social and family intervention technicians (TISF) and 65 social care assistants (AVS). Initiated in 2021, this four-year transition stemmed from the leadership’s belief that employees should be trusted to make decisions rather than managed in a top-down way. The change also responds to recruitment and retention challenges in a sector often marked by difficult working conditions and low pay.

Here are some drafts and the final image. 

The intermediate steps led to the right translation of the text into image. 

 

Here you can find the original article.

As published in Le Monde.

The Future of relationships

private collection

The future of relationships

                                        BEHIND THE SCENE

A leading strategic consulting company invited me to conduct a two-session workshop* on the Future of Relationships, and to create an artwork inspired by its outcomes.

MY IDEA

The workshop, centered on the use of collage as a tool for reflection and imagination, generated intense visual and verbal exchanges. It was a moment of mutual openness that left meaningful traces, which became the foundation for my artistic work.

We questioned the limits that sometimes shape our relationships, the fears that inhabit us, the boundaries—forced or self-imposed—and a strong desire emerged: to give vision to fluidity.

The final artwork consists of four modules, designed so that this same sense of fluidity guides the gaze of the viewer, from the first to the last. Each module opens up a different dimension of encountering the Other, within a changing time.

The digitally created work will be exhibited at the company’s Milan headquarters by the end of 2025.

 

Module 1 – The encounter: staying in the flow and opening to the Other
Two individuals look at and see one another. Each intersects with the other and, through this encounter, neither remains the same.

Module 2 – Emotional intelligence that lights up the world
Like a great light shining over everything, emotional intelligence becomes a beacon and a glimmer of hope for a future of acceptance and understanding.

Module 3 – Carrying new flags
The symbol of the flag is powerful, almost archetypal. Each individual carries unique qualities to be shown without fear. A shared wealth, for a more open and loving future.

Module 4 – Different paths meet
Each person is their own path. Trajectories intertwine and embrace, giving life to something new, common, fertile.

The workshop was carried out within the framework of my educational project SMALL ACADEMIA.
For collaborations and proposals, please write to small@chiaradattola.com.

Courrier International | Struggles and Resistance

Courrier International

Struggles and resistance

Margo Rejmer’ story of Romanian women faced with courage and determination the Edict of Ceausescu, in 1966.

First publication for Internazionale

 

Second publication for Courrier International, in the special June–July issue dedicated to women’s struggles and resistance around the world.

Internazionale | Bored at the Symphony

Bored at the Symphony

Internazionale

It’s Good You’re Bored at the Symphony, Actually.
The Luxury of Fidgeting in the Age of Distraction

The author reflects on performing Bach’s St. Matthew Passion, a deeply human story despite its religious origins. Though long and slow, the piece is rich in emotional depth and theatrical beauty. Inviting friends to classical concerts often comes with preemptive apologies for the length or pace, yet the music is usually appreciated. 

Classical music, unlike commercial music, is unamplified and demands the audience’s focus and patience. 

Quiet sounds must resonate naturally across large spaces, creating a unique listening experience. Loud moments are rare and earned, contrasting with the constant intensity of pop performances. 

Classical pieces take time to unfold, allowing deeper thematic development. Audiences are invited to “lean in” both aurally and mentally. These concerts often leave space for introspection and wandering thoughts. 

The illustrations are inspired by medieval art from the cosmography of Persian scholar Zakariya al-Qazwini.

The character with the ear-shaped head is the protagonist of this “listening.”

As published in Internazionale.

Courrier International | Rawness over sugar

New Frontiers of Desire

Courrier International

The Queens of Eroticism Prefer Rawness Over Sugary Metaphors
These writers aim to seduce a female audience with a different approach.
For me, eroticism is a suspended concept.

That imagery is so vast and deeply rooted in us in many ways that it’s easy to fall into the banal.
In visual storytelling, even a single image must immediately set the atmosphere.

The choice of color is obviously essential to me.


As published in Courrier International n.1793.

First published in Internazionale magazine.

Creating an image about desire is not easy. Desire cannot be touched, and it’s easy to fall into the banal. I chose these color nuances to immerse oneself in the atmosphere of the room. 

On the right side of the image, I included a small humorous element, but in general, the image aims to spark a smile.